Meet The Musician – Interview with Mark Penington of The Caravans

Today I’m really pleased to feature an interview with Mark Penington of neo-rockabilly, psychobilly band, The Caravans. They’ve been one of my favourite bands since The Klub Foot days and remain so to this day. Their albums No Excuses and No Mercy are definitely amongst my most played albums of all time.

I had the pleasure of catching up with Mark recently to chat about his longstanding musical career and The Caravans. However, publishing this interview is bittersweet as I have some really sad news about the band, but first, let’s go right back to the beginning.

man walking through Joshua Tree desert with head down
Photo thanks to Evie Penington

When were you first aware of music? What was being played at home or amongst your friends?

My parents were involved in music as long as I remember. My dad was always in bands so from an early age I was exposed. They were listening to anything from jazz to bluegrass, rock n roll, folk, some rhythm n blues and a lot of country. Dave Brubeck, Miles Davis, Jim Reeves Willie Nelson, Cab Calloway Flatt n Scruggs, Bill Monroe Elvis, Chuck Berry Eddie.

My friends were listening to mostly pop music at the time but my interest was mainly underground stuff I was picking up on late night radio. I heard The Cramps one night and the Dead Kennedys. This piqued my interest. Similarly, another show was playing stuff like early Elvis, Vincent and some Eddie Cochran. This was blowing me away. I thought I’d discovered something!

At school, a friend of mine who was a mod, slipped me a cassette one day in social studies and told me that if I liked Eddie, Gene and Elvis, then this would shake me up a bit. It was Crazy Cavan Live at the Rainbow.  I loved it and went on the search for more. I discovered Gina and the Rockin Rebels,  Jonny and the Jail Birds,  Flying Saucers, The Riot Rockers. They were all predominantly ted bands but playing some rockabilly tunes as well.

Who was the first band you saw?

The mod guy, can’t remember his name, introduced me to a girl called Marion who was a couple of years older than me. She seemed to know everything about the rock ‘n’ roll scene as it was back then. I was fascinated and when she invited me to a gig in Northampton one Saturday night, I jumped at it.  I was only 15 at the time so it wasn’t a given that I’d get in. I’m glad I did.

On the bill that night were The Polecats, Blue Cat Trio, The Jets and The Rambling Kats, who later became Coast To Coast, all using upright bass. I was totally blown away by what I saw and heard. I knew I had to have and learn to play one.

A year later I’d saved every penny from as many paper rounds as I could and bought one and started my first band The Cradle Rockers with guys I knew from school.

black and white photo of 5 rockabillies
Photo permission: Mark Penington

When did you start playing? Do you prefer bass or guitar?

I first started playing guitar at the age of 5 or 6, irritating my parents trying to emulate Chuck Berry riffs. I started on the double bass at 16. I loved both equally and still do.

How did you start the Caravans?

Cradle Rockers was my first band. I was in a band called The Jesters with Rough Diamonds legend Paul Owen Dawkins. We wanted different things so amicably we split. He started the Kingbeats and I started The Caravans.

I was just playing bass to start with and we had a guitarist/singer called Andy Brown. Two weeks before our first gig he quit. We were so excited about our first gig. Pete Crawley suggested that I sang and played bass as I’d written most of the stuff and chosen what covers we did. He knew a guitarist who was pretty good, 14 year old Bob Cat Taylor.  The gig went well so they talked me into staying with the vocals and bass. I’d seen Ray Cotton and Dave Phillips do this so I was in good company.

5 rockabilly musicians standing in a carpark
Photo permission: Mark Penington

You played a handful of times at The Klub Foot, and appear on the live CDs and DVD, do you have any special memories from there?

It seemed at one point we were at the Klub Foot every other show, with Restless, Batmobile, the Batz.

All memories from those days were special, we were playing to a lot of people every time and most of the bands were top notch. I didn’t really think about it at the time but looking back you know most bands would have given anything to do what we and all the other Klub foot bands were creating back then. Proud to be part of that movement that spring boarded a scene that is still alive today.

black white photo of man playing a double bass
Photo permission: Mark Penington

Is it right that your first album, Easy Money, didn’t come out until 1988?

You know I found a fan letter when I was clearing out my studio the other day dated 1987 saying they had bought the album some time ago and were we planning any more releases. I don’t know but I thought it was released around ‘86.

The More Whiskey EP and the Gypsy Girl comp came out round about that time too. Looking back it all seemed to happen around the same time. It was a long time ago though!

Since then you’ve had a prolific single and album output, can you tell us what inspires you to write, and what the songwriting and recording process is for The Caravans?

Life, I guess is the inspiration for the most part, books I’ve read, people I’ve met, my overactive vivid imagination. I normally don’t have a particular process of writing, some just come and I’ll pick up the guitar and start piecing it together Some just appear, like No Mercy – it took 5 minutes to write (the song not the album!).

The recording process is pretty much the same as most bands. We do a live take of the song, keep what works and tweak the rest. We normally keep the drums and bass, then drop the guitars and vocals on afterwards, trying to keep it as live as possible.


Easy Money 1988
No Excuses 1991
Straightside 1994
Action or Slander 1997
Glamourous Heart 1998
Saturday Night’s Alright 1999
Return to Zero 2000
Treasures and Trash 2003
Less Smoke, More Powder 2004
Lying with Dinosaurs (Best of) 2004
No Mercy 2006
Trailer Trash Rockin 2007
Smash and Stripped Bare 2007
Whiskey Women & Loaded Dice 2009
Live in Studio 1 Volume 1 2010
Live in Studio 1 volume 2 2011
Trailer Park Trash n Roll 2012
If it Aint Broke vinyl 2017
Gasoline & Gunfire 2018

Your first release was on the Nervous label. You have had releases on other labels over the years, and your last album, Gasoline & Gunfire (A True Story) was with Western Star. Apart from Alan’s reputation and experience, what made you go with Western Star this time rather than releasing it from your own studio?

I’ve worked with Alan on and off over the years and always enjoyed the experience. We normally spend more time chatting and having a laugh, but we always got the job done with good results. Alan’s studio is pro level and I wanted to see what the results would be with two heads rather that one and get a different perspective. We were more than happy with the results.

And what’s the true story mentioned in the title?

Exactly that. Gasoline and Gunfire is a true story. There’s a snippet in the inside cover, have a read!

album cover Gasoline & Gunfire, hot rod with 2 smoking barrels

As I said my favourite albums are No Excuses and No Mercy. The style is very different on each, but both still have a classic Caravans feel to them. Has your sound evolved naturally or did you consciously decide to move in a different direction? Do you have a favourite?

Yeah, I think our sound has evolved naturally. Less Smoke and No Mercy were a representation of what was going on with the band at the time.  I had Craig Boyd on guitar and he bought a different approach with him.  I like the songs from that time, but I didn’t record them at my place and the engineers were from a different background. It is what it was back then. We’re back to a three-piece now so I guess the sound will reflect that.

3 rockabillies wearing sunglasses in front of an old car wreck in the desert
Photo permission Mark Penington

The Caravans line-up has changed over the years with it being a 3, 4 and 5 piece band but it’s been you, Lee and Choppy since when?

Both twenty years or so, long time anyway.


Mark Penington
Lee Barnett
Paul “Choppy” Lambourne
Jonny Bowler
Rich Caso
Jim Jeffries
Pete Hilary
Craig Boyd
Darren Frances
Brian Gillman
Gary Day
Ritchie Taylor
Sam Penington
Bob Cat Taylor
Peter Death Wish Crowly
Andy Brown
Sean Coan
Paul Owen Dawkins (2 shows)

You’ve been labelled neo-rockabilly and psychobilly. Do you feel you fit more into one than the other? Have the gigs differed much between scenes?

No, we are privileged to have been able to play both. Technically, I guess in literal terms, we would be labelled neo-rockabilly, but to me were a rock n roll band influenced by rockabilly, psychobilly and some punk.

The Caravans band live on stage
Photo thanks to Billy Tombstone

You’ve played and travelled all over the world, any favourites, memorable ones or any places you wish you’d been able to play at? Do you know how many shows you’ve played in total?

No idea in total, thousands.

I would have liked to go to Australia to play.

Favourite show? So many – Knitting Factory in LA; small club in Belgium one Friday night before a festival in Brussels, can’t remember the name; Pineda/Calella always great fun to play; the last time we played the Satanic Stomp was epic.

I will never forget the show we did at The Hemsby Rock n Roll Weekender. Someone who shall remain nameless, rang me before we went, to say you must play your early stuff and not your more progressive stuff. Anyway, we’d planned to keep it that way until later when I asked the audience what they wanted to hear. Several shouts for Dinosaurs and No Mercy. So we did, and the place went up. Willy Jeffries stood backstage white as a sheet. When we came off, he politely asked What the fuck was that? “The Caravans” I answered.

Gig flyer for The Caravans German tour 2018

I believe you got offered a part in the London stage show, Million Dollar Quartet, but turned it down because you wouldn’t be able to play your own music?

Yeah, I got to the point where the agent had me go to meet the producer. I sat on the end of my bed on the morning of the appointment, and just thought nope! The show was scheduled to run for two years. I was busy with The Racketeers and The Caravans, plus a few other side projects that would all have had to stop so I text them to say I wasn’t coming.

black white photo of rockabilly musician playing white guitar

You’ve been in other bands though. You played upright bass for Guana Batz for a couple of years and appeared on the 1994 Get Around album. I know you wrote several of the songs and I feel that the whole album has a strong “Caravans” feel to it. How did your part in the band come about and anything you can tell us about your time in the Batz?

I was in the Batz for a few years can’t remember exactly. The album Get Around – We were due to tour Japan and they wanted an album to promote while we were there. Stuart rang me and asked if I had any songs. All I had was stuff that was destined for the album Straightside, so that’s what happened. We didn’t have time to start from scratch. I really wish we’d had time, that album would have been so different, it’s a shame.

album cover Get Around Guana Batz

You’ve been in other bands too – 56 Killers, Racketeers, any others?

Number Nine
Full Metal Racket
Rancho Deluxe
Driver Brothers
Slum Dogs
Alley Cats
Depped with a few too.

And now on to the sad bit. The “Why Don’t You Just Rock” gig at The Irish Centre, Birmingham on 8th June 2019 was your last ever gig as The Caravans. Can you tell us a bit about why you have to stop?

Yeah, I’m really sad about it and even now I’m wondering if I made the right decision. I know I have from where I was before the show.

I have a severed nerve in my neck that is not repairable. This nerve is trapped between c5  and c6 vertebrae and controls the muscle that operates the right arm. It’s really hard work to play and sometimes it gives up completely, like in the middle of a tune. Barcelona recently with the Batz was particularly bad, and one recently at a show in Belgium. We were headlining, and I just couldn’t play for 5-10 minutes, not good for the audience, not good for us.

I think it’s best we go out with good memories of good gigs, rather than to gradually grind to a halt.

3 rockabilly musicians walking towards a taxi in the USA

I don’t want to end on a sad note, I know you have your own studio and have produced other bands, will you do more of that, or do you have any other musical plans? What’s next for Mark Penington?

Yeah, my studio is my main priority now and I will continue to write and record. I’m still playing with The 56 Killers occasionally. Hopefully now I’ll have a bit more time to get out and about to some gigs, so I’ll see some of you out on the road in the future.

advert with white skull and skullduggery text

Anything else you want to add, Mark?

just to say thanks to all the people who have supported us at the gigs, festivals, tours and shows over the years, to those who have bought the records and continue to keep the faith, we salute you. We’ve had a great time doing it meeting the people, the promoters, and record labels.

back of man playing double bass with guitarist in front of him The Caravans
Photo thanks to Billy Tombstone

As a fan, I am gutted, but I totally understand and am grateful that The Caravans have been able to continue to play as long as they have.  I feel so privileged to have seen them many, many times from right back to the Klub Foot days to parties and gigs more recently. They’ve certainly done themselves proud with their recordings, live shows, and for their contribution to the scene for over 4 decades. Quite an achievement.

Huge thanks to Mark for this interview, and to all the Vans past and present for the fun times and the music.

crowd at a concert with uk psychobilly gig guide alcoholic rats logo written on

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Mark’s son, Sam Penington has played in The Caravans many times and is now giving drum lessons, including Skype options. Give him a shout if you’re interested.

flyer advertising drum lessons


11 thoughts on “Meet The Musician – Interview with Mark Penington of The Caravans

  1. We’ve had the pleasure and honour of booking the vans at Bedlam over the years…. always easy to get on with and lovely people to. We’ve seen them loads over the years and they never failed to entertain… A superb legacy of music to be proud of…… Gutted in hearing the sad but understandable news that they have stopped playing.. the scene will be a sadder one without the caravans for sure !.
    All the absolute best to the guy’s for the future….& thank you so much for your music and fun over the years, not only as part of the Bedlam team but mainly as a fan !!. & Mark.. If you read this.. Drop me a text as I’ve got your shirt bud !!.
    Long live the vans x

    Liked by 1 person

  2. Seeing The Jets at 15, how awesome! It’s sad to read that The Caravans have called it a day because of the reason for that, severing a nerve in the neck s awful, I’m so sorry. That must make a lot of things challenging now, given the impact on the muscles and right arm. It sounds like the band has had a lot of fantastic experiences and brought meaningful, memorable music to their fans, so that’s a huge achievement and something that will leave its mark in history. I’ll have to check them out now – thanks for the fab interview!
    Caz xx

    Liked by 1 person

  3. A great read Jo, thanks for sharing, really interesting to hear of The Caravans journey. Very sad they have come to the end however, very understandable, cheers for all the music Mark 👍🏻🎼xxx

    Liked by 1 person

  4. One of my all time favourite bands, got most of the records and seen some great gigs down the years, I can immediately remember one with Levi Dexter at the Ace Cafe and another with the Peacocks and others in Brighton. Sad to hear it’s the end of gigging for the Caravans and glad I got to see that last show in Birmingham last weekend. One thing I remember is going to see the Guana Batz at the Duchess in Leeds one night in ’94 I think when I was up from London visiting my parents. I was back in north west London the following night and went to see the Caravans at Dell Richardson’s club night in Northwood Hills….where I then twigged that Mark had played with the Batz the previous night!

    Liked by 1 person

  5. What a great story of a really cool guy. Such a shame he can’t play anymore but such a fantastic legacy. Hopefully he can enjoy his new life, in the studio, and maybe an occasional gig!

    Liked by 1 person

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